Shani Boianjiu Goes Home Again
Not far from her village near Lebanon, the Israeli novelist—who published originally in English—talks war and books
Much of the book’s charm is in the language Boianjiu uses. Had she originally written the book in Hebrew, she said, any translation into English would have had an entirely different feel from the book she ended up writing. “I didn’t want the readers to forget for a moment that even though the story they’re reading is in English, it takes place in another world. Hebrew phrases which sound so obvious to me acquired a whole other layer of meaning when I translated them literally. So, instead of trying to figure out what the English equivalent would be, I took advantage of the oddness of the phrases to make the book more interesting.” In describing a street in the village, she writes that “it has a view of the entire world and its sister,” which is common slang in Hebrew meaning exactly what it seems to mean. The characters speak in understated, clipped sentences, common in a place where the military molds the way its soldiers talk for years to come. Even the book’s title has a genesis worthy of its length: It’s a phrase coined by the Israeli Rabbi Yehoshua Weitzman alluding to the spirit of the Jewish people, unfazed by the hardships they have yet to overcome. Set to music, it became a rallying song popular among those protesting the Gaza disengagement and featured prominently on bumper stickers in the summer of 2005.
Ironically enough, the linguistic charm of the novel will probably be lost in the book’s Hebrew translation, which Boianjiu is currently working on with a translator. But those are the least of her worries. She isn’t looking forward to the thorough political examination the book will undoubtedly attract when it is published here in the summer, with readers and critics who will try to ascertain whether or not the book is “good for the Jews.” The book has already had some coverage in the Israeli media, true to the national obsession with Israelis making it big abroad. (Firgun, an untranslatable Hebrew word essentially meaning being happy with another’s success, is something most Israelis aren’t actually very good at.) Some have dismissively hinted at maneuvering, with a then-22-year-old Shani Boianjiu writing a book in English to achieve the sort of success she’d never reach at home, where girls in the military are a common sight and don’t make for compelling literature.
But Boianjiu maintains that she wrote the book in English “completely by accident. There was no ideology or commercial thinking behind it, it just happened. I never thought it would be published, and I had no imaginary American readers in my head while I was writing.” She wrote the book about young Israeli women because that’s what she is, and large parts of the book take place in the IDF because that’s an important part of life for Israelis, just as young American authors would likely incorporate college life into their books.
Boianjiu tries not to let the acclaim her book has received get to her. “I would have thought my life was about to change dramatically,” she said, “but thankfully that hasn’t happened. I’m not a celebrity in my home town, and my friends just think it’s strange so we don’t talk about it much.” In fact, if there’s something Boianjiu is dreading, it’s what will happen when the book is published in Hebrew and the people she knows read it. “I wish there was a rule stating that anyone who personally knows the author won’t be allowed to read their books, because of how embarrassing that can be,” she said. “The stories in the book aren’t about me, and those aren’t really my thoughts. While I was abroad and writing it, I never thought too many people would read it, certainly not those closest to me. Otherwise, I probably would never have dared write the things I did. When I actually sold the publishing rights, I was tempted to make some changes, but I knew it wouldn’t be good for the book, so it’s all in there.”
Boianjiu’s own political opinions aren’t as clear-cut as many would think. A freshman at Harvard while the previous IDF operation in Gaza, Cast Lead, was under way four years ago, she was first exposed to people who don’t believe Israel has a right to exist. “I was fresh out of the army and it just felt awful. Israel really didn’t look good,” she said, “but I had to be a whole lot more careful about the things I’d say against the government.” On the other hand, she found the various Arab-Israeli coexistence initiatives supercilious, “as if all our problems stem from the Israeli or Palestinian mindsets, and all we need is for Americans to sit us down for coffee or a barbeque, to show us the correct path of acknowledging the other and then everything will set itself straight.” Growing up, she spent plenty of time in neighboring Arab villages in the Western Galilee, she said, “and that assumption that Israelis and Palestinians are that rare breed of people incapable of seeing the humanity in others was just so offensive to me, because the vast majority of both peoples are not like that at all.” The region’s problems, she said, are a veritable Gordian knot of a far more practical—and complicated—nature, and she hopes the book is successful in conveying that complexity.
The book’s bleak vision is in stark contrast with its humor. Boianjiu clearly loves her characters and there is nothing misanthropic about the pain she puts them through. She is jaded but earnest, and as personable as they come. Personable enough, even, to reflect on a political reality she considers all but hopeless without completely depressing you in the process. As for a solution to Israel’s problems, she said, “I don’t focus on that too much because I really don’t see that there is a solution. I was born during the first week of the first Intifada, so nothing has ever been quiet or normal for me. I don’t believe there will be a solution in my lifetime; I can’t even imagine how one would look.”
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