Your email is not valid
Recipient's email is not valid
Submit Close

Your email has been sent.

Click here to send another

thescroll_header
The Scroll

David Mamet Tells You How To Write

‘THE SCENE MUST BE DRAMATIC’

By Marc Tracy|March 24, 2010 1:00 PM|Comments:
Print Email
Mamet and his wife, Rebecca Pidgeon, last year.(Alberto E. Rodriguez/Getty Images)

If you harbor dreams of one day writing television shows, or perhaps just watching them, then your official lunch-break reading is David Mamet’s advice to the writers of the show he created, the canceled CBS drama The Unit. It’s tough, hypercritical, and of course profane, but also fair, not un-admiring, and just plain brilliant. Did I mention that Mamet also wrote The Wicked Son, a Nextbook Press book?

One highlight (his bold and all-caps):

ANY TIME TWO CHARACTERS ARE TALKING ABOUT A THIRD, THE SCENE IS A CROCK OF SHIT.

ANY TIME ANY CHARACTER IS SAYING TO ANOTHER “AS YOU KNOW”, THAT IS, TELLING ANOTHER CHARACTER WHAT YOU, THE WRITER, NEED THE AUDIENCE TO KNOW, THE SCENE IS A CROCK OF SHIT.

DO NOT WRITE A CROCK OF SHIT. WRITE A RIPPING THREE, FOUR, SEVEN MINUTE SCENE WHICH MOVES THE STORY ALONG, AND YOU CAN, VERY SOON, BUY A HOUSE IN BEL AIR AND HIRE SOMEONE TO LIVE THERE FOR YOU.

But, really, read the whole thing.

And, sure, why not:

David Mamet’s Master Class Memo to the Writers of The Unit [Movieline]
Related: The Wicked Son [Nextbook Press]
More In:
2000

Your comment may be no longer than 2,000 characters, approximately 400 words. HTML tags are not permitted, nor are more than two URLs per comment. We reserve the right to delete inappropriate comments.

Be a Mensch. Support Tablet.

Thank You!

Thank you for subscribing to the Tablet Magazine Daily Digest.
Please tell us about you.

David Mamet Tells You How To Write

‘THE SCENE MUST BE DRAMATIC’

More on Tablet:

In Protests Against Prawer Plan, Signs of ‘Palestinization’ in Israel’s Bedouin Minority

By Jon Emont — Long seen as allies of the Jewish state, Bedouins may be embracing their neighbors’ identity—as a way of expressing their own