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The Jewish Type of Type

When tribute becomes kitsch

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Good thing there’s design writers like Jessica Helfand, of Design Observer, to remind us of typography’s chronic suffering of false Hebraics. More specifically: The vague ghetto-izing of Latin letters to Hebrew handles; the pouring of shmaltz onto font. The names themselves give it away: Hebrewish, Faux Hebrew, Bagel, Jerusalem, Sholom, Talmud, and—the most painful moniker of all—Circumcision.

While Jews can take a certain pride in the kitsch value of this treatment (after all, didn’t the Jews invent kitsch?), Helfand points out that these letter treatments brush aside aspirations for more serious type designers. She also challenges us to consider: “What’s the difference between a celebrity making an unforgivable racist remark and a typographer making a font that clumsily perpetuates a cultural stereotype?” Perhaps we should ponder the relevance of a “Jewish” type over a He’Brew.

Why Is This Font Different From All Other Fonts? (Design Observer)

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This is getting a bit more subjective, but I much prefer the Zune Marketplace. The interface is colorful, has more flair, and some cool features like ‘Mixview’ that let you quickly see related albums, songs, or other users related to what you’re listening to. Clicking on one of those will center on that item, and another set of “neighbors” will come into view, allowing you to navigate around exploring by similar artists, songs, or users. Speaking of users, the Zune “Social” is also great fun, letting you find others with shared tastes and becoming friends with them. You then can listen to a playlist created based on an amalgamation of what all your friends are listening to, which is also enjoyable. Those concerned with privacy will be relieved to know you can prevent the public from seeing your personal listening habits if you so choose.

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I’ve said that least 3187772 times. The problem this like that is they are just too compilcated for the average bird, if you know what I mean

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abram epstein says:

Is there a fee for using the Hebrew-style English lettering as a
book title? Thanks, Abram

2000

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The Jewish Type of Type

When tribute becomes kitsch

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