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Cannes Diary, Episode 2: Harvey Weinstein Is Gone. Lars von Trier Returns. Kurdish Women Fight Alongside Han Solo.

Israeli offerings at the celebrated film festival are lackluster, and even the oligarchs seem cowed in a glamour industry facing its reckoning

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Fake News From Cannes

Sergei Loznitsa’s dark, formalist ‘Donbass,’ set in the occupied eastern region of Ukraine, is a harrowing and sophisticated fictionalized account of the reach of Putin’s Russia

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Joyeux 14 Juillet! Celebrate France’s National Holiday with Tablet’s Greatest Hits

From anti-Semitism to croissants, we got you covered

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Cannes 2016: Five Films to Look Out For

A dispatch from the 69th annual Cannes Film Festival on the French Riviera

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Jewish Sexual Pathology, Islamist Terror, and the Collapse of the West at Cannes

The French film festival goes raw on depictions of incest, murder, DSK, Ukraine, Timbuktu, and stardom

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Big Jew-Off at Cannes

European cineastes clash with American ironists and shlock-meisters at the film-world’s biggest hoedown

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L’Antisémite, Banned at Cannes

A new French film is worth watching if only for its portrayal of aesthetic corruption propelled by bigotry

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Jewish Star

Despite his notorious pro-Hitler comments at Cannes, Lars von Trier is more of a Jew than he knows and Melancholia a more Jewish movie than he realizes

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Heilstorm

Sympathizing with Hitler—as Lars von Trier did this week at a much-publicized press conference at the Cannes film festival—may be the most Jewish thing the director has ever done

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