Lincoln Center Presents an Opera Without Jews, Set in Auschwitz

‘The Passenger’ is a moving Polish Jewish-Catholic Soviet hybrid with a glaring omission. But is it a ‘Holocaust opera’?


Redrawn and Remembered

William Kentridge and the art of righting history’s wrongs


Hidden Sympathies

A dubious portrait of Shostakovich as dissident has been debunked, but motifs in his work underscore his discord with Soviet power.

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