Lincoln Center Presents an Opera Without Jews, Set in Auschwitz
‘The Passenger’ is a moving Polish Jewish-Catholic Soviet hybrid with a glaring omission. But is it a ‘Holocaust opera’?
Allan M. Jalon
· July 2, 2014
Visual Art & Design
Redrawn and Remembered
William Kentridge and the art of righting history’s wrongs
By Jill Singer · March 17, 2010
A dubious portrait of Shostakovich as dissident has been debunked, but motifs in his work underscore his discord with Soviet power.
· May 7, 2004