Believers and atheists
| 7:00 AM Jan 4, 2010
Secular an art form as the novel may be, its practitioners have never entirely shunned religion as a subject, and in recent decades American Jewish novelists have turned to Modern Orthodoxy and haredi Judaism with enthusiasm, if not always with perfect faith. Risa Miller’s first novel, Welcome to Heavenly Heights, focused a sympathetic eye on ...
Headliners and sidemen
| 7:00 AM Oct 12, 2009
Two great things that taste great together: Moshe ben Amram and the United States of America: that’s the essence of Bruce Feiler’s America’s Prophet: Moses and the American Story (William Morrow, October). Having shlepped through the Middle East for his bestselling Walking the Bible, Feiler stuck closer to home for this project, interviewing a colorful ...
Jocheved sets up a snow-cone business
Seventy years after the release of his first book, the bestselling ‘As a Driven Leaf,’ Rabbi Milton Steinberg (posthumously) offers a sophomore effort
Wanted by the authorities, the twins head off to the Promised Land
On the eve of the Oscars, an endorsement of ‘The White Ribbon’
A new documentary discusses the legacy of a Nazi filmmaker with his heirs
The anti-‘Edge of Darkness’ email your relatives are forwarding
There are more similarities between Jewish music and Jewish food than meets the ear
At 86, blind and housebound, Fugs frontman Tuli Kupferberg is still dispensing crass words of wisdom
Two bands cultivate the ‘Afro-Judaic’ aesthetic
Making the web’s greatest Hanukkah film
The Fox cult hit ‘Glee’ is about outcasts and Broadway—so naturally it offers a Jewish storyline
Wallace Shawn on being Jewish—onscreen and off
William Kentridge and the art of righting history’s wrongs
At 50, Frank Lloyd Wright’s Beth Sholom synagogue still glimmers—leaks and all
While trying on new artistic hat, artist develops series of paper coats
How Russian-Jewish émigrés are changing the face of competitive ballroom dance
How a latter-day vaudevillian from Kansas City got himself to speak perfect Yiddish
As it progressed, the playwright’s autobiographical trilogy grew more dark—and more true
