Teaching Kids About the Holocaust: How Young Is Too Young?

‘Let the Celebrations Begin,’ an acclaimed and controversial Australian children’s book, raises questions about Holocaust education

Holocaust Museum Connects Long-Lost Relatives

Flooded by information requests, D.C. museum researchers scour the archives

‘I Disagree With Him But I Love Him’

Niece of man saved by Dutchman who returned Yad Vashem medal says, ‘He is a righteous man’

My Very Own Tisha B’Av

How the saddest day of the Jewish calendar helped make me a happier Jew

Remembering the Sinti and Roma of Auschwitz

On August 2, 1944, Nazis liquidated the concentration camp’s Gypsy section

Is Schindler a Projection of Spielberg Himself?

‘Schindler’s List’ is a story of redemption—for both the film’s protagonist and its director

Technology Helps U.S. Jews Track Gaza Conflict From Afar

The latest in a long tradition of creatively supporting embattled Jews abroad

After the Holocaust, the Dutch Tried To Collect Past Due Taxes From Survivors

How one shy, whistle-blowing intern in an Amsterdam archive uncovered a travesty that insulted a decimated community

In Defense of Chelsea Handler’s Hitler Parody

There may have been more going on here than an attempt at a cheap laugh

U.S. Holocaust Museum Opens Major Archive

U.N. War Crimes Commission now available at the Washington, D.C. museum

The Satmar Rebbe and the Destruction of Hungarian Jewry: Part 2

The late Rabbi Yoel Teitelbaum and his disciples’ interpretation of his decisions and actions during the Holocaust

The Satmar Rebbe and the Destruction of Hungarian Jewry: Part 1

The terrible cost of Rabbi Yoel Teitelbaum’s life and actions during the Holocaust, and his later extremism

Bail Denied for Former Nazi Guard Living in U.S.

Johann Breyer, 89, was arrested last month at his home in Philadelphia

German Teacher Caught Stealing From Auschwitz

Arrested for taking 10 items he wanted to bring back to his classroom

Lincoln Center Presents an Opera Without Jews, Set in Auschwitz

‘The Passenger’ is a moving Polish Jewish-Catholic Soviet hybrid with a glaring omission. But is it a ‘Holocaust opera’?

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