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Jerry Lewis’ Never-Produced Holocaust Film

The Day the Clown Cried remains the comedian’s most controversial project

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The Life and Good Times of Norman Lear

The genius behind ‘All in the Family,’ ‘The Jeffersons,’ and other barrier-breaking TV shows talks about his childhood and career

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Joaquin Phoenix Is His Doppelganger

Director James Gray talks about basing ‘The Immigrant’ on his own family history on the Lower East Side

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More of Jerry Lewis’ Holocaust Comedy Surfaces

These 25 minutes of footage and interviews are the last of it, we’re promised

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Big Jew-Off at Cannes

European cineastes clash with American ironists and shlock-meisters at the film-world’s biggest hoedown

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Jerry Lewis Respects Women So Much…

…that he doesn’t want them to do comedy

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‘Hey Jer-REE!’

At his 86th birthday party, a question arises: Is there a needier, more agonizingly ambitious figure in American popular culture than Jerry Lewis?

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Our ‘Brazen Giant’ Turns 125

Nextbook Press presents an annotated version of ‘The New Colossus’

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Sacred Remake

We may talk of its eternal qualities, but the music of Kol Nidre is forever being made anew

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Don’t Forget Jerry Lewis’s Holocaust Movie

It’s so much worse than ‘Basterds’

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Bring the Noise

The brilliantly aggravating music and art of Mauricio Kagel