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	<title>Tablet Magazine &#187; Sheindele the Chazente</title>
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	<description>A New Read on Jewish Life</description>
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		<title>Oral Tradition</title>
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		<pubDate>Tue, 23 Jun 2009 17:00:23 +0000</pubDate>
		<dc:creator>Vox Tablet</dc:creator>
				<category><![CDATA[Family]]></category>
		<category><![CDATA[Jewish Life & Religion]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Ari Y. Kelman]]></category>
		<category><![CDATA[Molly Picon]]></category>
		<category><![CDATA[Sheindele the Chazente]]></category>
		<category><![CDATA[Yiddish radio]]></category>

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		<description><![CDATA[In the 1930s and ’40s, airwaves in New York, Chicago, Philadelphia, and other major cities were filled with Yiddish-language shows which offered a mix of news, advice, cantorial music, and radio plays. They gave foreign-born listeners, many of them refugees, a chance both to learn about life in their new country and to be entertained. Ari Y. Kelman, a professor of American studies at the University of California, Davis, and the author of Station Identification: A Cultural History of Yiddish Radio in the United States, talks with Vox Tablet host Sara Ivry about how Yiddish programming both mimicked and deviated from its English-language counterpart—and about its family-centered melodramas, rabbi-adjudicated court shows, and performing lady cantors.]]></description>
			<content:encoded><![CDATA[<p>In the 1930s and ’40s, airwaves in New York, Chicago, Philadelphia, and other major cities were filled with Yiddish-language shows which offered a mix of news, advice, cantorial music, and radio plays. They gave foreign-born listeners, many of them refugees, a chance both to learn about life in their new country and to be entertained. Ari Y. Kelman, a professor of American studies at the University of California, Davis, and the author of <em>Station Identification: A Cultural History of Yiddish Radio in the United States</em>, talks with Vox Tablet host Sara Ivry about how Yiddish programming both mimicked and deviated from its English-language counterpart—and about its family-centered melodramas, rabbi-adjudicated court shows, and performing lady cantors.</p>
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