I’m Not There: The Art of Nathan Hilu

Nathan Hilu, an 89-year-old veteran who lives on New York’s Lower East Side, makes frenzied art from his potent memories of Jewish life and loss

Herself Included

Judy Blume’s 35-year-old classic Starring Sally J. Freedman as Herself avoids the main problem of Holocaust fiction: sanctification

Helpless

The nebbish is the bumbling caricature of a Jewish male, embodied by figures like Woody Allen and George Costanza. Where did he come from?

Half Human

The German Jewish writer Joseph Roth, whose letters are newly translated, chronicled the death of 19th century Europe and the rise of its darker heir

Three Lies

Filmmaker Pierre Sauvage and the daughter of Holocaust rescuer Peter Bergson talk about people who put their lives at risk to save others

Venezuela’s Dispossessed

Half of Venezuela’s Jewish community fled under Hugo Chávez, who died this week. Will the other half follow?

The View From Here

Graphic artist Saul Steinberg spent formative years in Italy, a place that, like for other Jews, both sheltered and rejected him

Who Shall Live

Reporter Dara Horn admires Varian Fry, who saved Jewish intellectuals from the Nazis, but she questions his belief that not all lives held equal value

End of the Line

A lost German passport—and tenuous ties to citizenship—cause a bureaucratic nightmare and a revelation about place and belonging

The Rescuer

Varian Fry led the effort to save Hannah Arendt, Marc Chagall, and thousands of other European intellectuals from the Nazis. Why was he forgotten?

Party Line

Arthur Miller wrote communist theater criticism under the pseudonym Matt Wayne. The discovery may realign views of his life and politics.

Descendants

My husband and I moved our Jewish family from Montana to Berlin to teach our children about their roots. We didn’t anticipate the neo-Nazis.

Revealed

A new English-language translation of the short stories of Soviet writer Der Nister, or The Hidden One, brings his enigmatic Yiddish work to light

Tunnel Vision

Agnieszka Holland’s new Holocaust film, In Darkness, is a quietly moving take on a subject that should be inexhaustible—but isn’t

War Horse

Joseph Heller, who embodied masculinity in American postwar literature, for better and for worse, chronicled a major shift in American Jewish identity

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