Fifty works in the collection of a former German arms dealer—including a renowned portrait of a Sephardic aristocrat—show how France fails to fully grapple with its collaboration in the Nazi art market for plundered works
A 1929 practical method for typing in Yiddish, on display at YIVO, is a keyhole into a little-known world of printing machines, and the pipe dreams behind their invention
A new biography, ‘The Man in the Glass House,’ shows why it’s hard to ignore the authoritarian characteristics of some of the architect’s more celebrated work, and why the relationship between aesthetics and morality will forever be fraught
Was Frida Kahlo Jewish, and does it matter? A blockbuster show at London’s Victoria and Albert Museum brings the Mexican artist’s contradictions to life.