American Horror and Sidney Lumet’s film ‘The Pawnbroker’ (1964), with Jeremy Dauber
Jeremy Dauber joins us to explore ‘The Pawnbroker’ (1964) as a rare intersection of Jewish life and horror, as Holocaust trauma rears its head on the New York City subway
Today on Jewish Studies Unscrolled, we delve into a rare cultural intersection: Jewish life and the genre of horror. While Jewish contributions to American culture often focus on comedy, literature, or music, horror remains largely unexplored, even by prominent Jewish filmmakers. We’re joined by Jeremy Dauber, Columbia University professor and author of American Scary: A History of Horror from Salem to Stephen King and Beyond. Together, we examine Sidney Lumet’s 1964 film The Pawnbroker as a rare exception, highlighting its haunting depiction of Holocaust survivor Sol Nazerman’s trauma, particularly through the “thin place” of the subway—a space where the present collides with the horrors of the past.
You can watch the subway scene we discuss here.
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