Nimrod Eldar’s sophisticated, visually dextrous family drama ‘The Day After I’m Gone’ explores the age of ungratefulness
Artists and politicians clash anew over age-old questions: Should the government help pay for art? And if so, does it get to pick and choose favorites?
Despite his own remarkable success, Israeli filmmaker Oren Moverman says the future of indie film is bleak
Today on Jewcy: A sweet-natured and mouthwatering story about two people mourning the same lost lover.
Imagine a hybrid of ‘It’s a Wonderful Life’ and ‘Pulp Fiction,’ and you’ve got this delightful film
Today on Jewcy: A look at the films showcased at the annual festival put on by the JCC Manhattan.
Israeli offerings at the celebrated film festival are lackluster, and even the oligarchs seem cowed in a glamour industry facing its reckoning
‘Be Free,’ set in Mandatory Palestine, is the creation of the Ghetto Film School’s graduates
Today on Jewcy: A look at Israel’s history at the Academy Awards and its latest contender, ‘Foxtrot.’
Jews: Still really good at making movies!
The movie, featuring yet more Israeli wonder women, crossed the $1 million mark at the American box office this week
‘The Women’s Balcony’ is the rare film that gets the joys of faith just right
An Orthodox woman’s ill-fated engagement sends Haredi rom-com down the path of blissed-out breakthroughs
After being dumped by her fiancé, Michal searches for a husband
‘Baba Joon’ already won Best Picture at Israel’s version of the Oscars. Can the movie about conflict inside an Iranian Jewish family win again?