The enigmatic, influential benefactor of the arts comes home to the temple of modernism he once shunned
It’s the opposite of ‘Fiddler on the Roof.’ New York City Ballet’s new production opens this week.
Talk about course correction
It’s as terrible and offensive as it sounds.
Black Swan and Barney’s Version can both be seen as grappling with how to portray Jewishness onscreen. One succeeds; the other fails.
