At the 75th festival—with new works by the Coen brothers, Julian Schnabel, Errol Morris, Orson Welles, and ‘Son of Saul’ director László Nemes, and period dramas starring Rachel Weisz and Jeff Goldblum, as well as Israeli films—‘the horror of the world lies behind infinitely pretty things’

Godard gets stiffed. Ukrainian gets punched. Spike Lee’s KKK Disneyland. And more from the Croisette.

Israeli offerings at the celebrated film festival are lackluster, and even the oligarchs seem cowed in a glamour industry facing its reckoning

Sergei Loznitsa’s dark, formalist ‘Donbass,’ set in the occupied eastern region of Ukraine, is a harrowing and sophisticated fictionalized account of the reach of Putin’s Russia

From anti-Semitism to croissants, we got you covered

A dispatch from the 69th annual Cannes Film Festival on the French Riviera

The French film festival goes raw on depictions of incest, murder, DSK, Ukraine, Timbuktu, and stardom

European cineastes clash with American ironists and shlock-meisters at the film-world’s biggest hoedown

A new French film is worth watching if only for its portrayal of aesthetic corruption propelled by bigotry

Despite his notorious pro-Hitler comments at Cannes, Lars von Trier is more of a Jew than he knows and Melancholia a more Jewish movie than he realizes

Sympathizing with Hitler—as Lars von Trier did this week at a much-publicized press conference at the Cannes film festival—may be the most Jewish thing the director has ever done