Museums grapple with how to show visual art not isolated from greater sociohistorical processes
When viewers at Neue Galerie deprecate the works National Socialists held up as emblems of perfection, whom are they hurting?
Munich authorities seem more interested in protecting an art dealer than in returning stolen works to their rightful heirs
Poet Michael Heller wonders if the painter Max Beckmann foresaw the attacks of 9/11
