76 years after the single largest massacre of Jews in the Holocaust, the site continues to inspire acts of humanity and courage
‘The Passenger’ is a moving Polish Jewish-Catholic Soviet hybrid with a glaring omission. But is it a ‘Holocaust opera’?
William Kentridge and the art of righting history’s wrongs
A dubious portrait of Shostakovich as dissident has been debunked, but motifs in his work underscore his discord with Soviet power.
