How George Gershwin’s stipulation that his opera, currently at the Met, be performed by an all-black cast, plays in the America of then and now
Dispatch from the scene at—and in—Lincoln Center Monday night
John Adams’s masterpiece is about an American Jew murdered by Palestinian terrorists, but the real opera is off stage
Controversial Met Opera production said to be sympathetic to terrorism
The new production of Don Giovanni at the Metropolitan Opera is well cast but marred by poor conducting
